Ryan Gallagher

• Demi Adejuyigbe at XOXO 2018
• The Fraud Phenomenon: How Impostor Syndrome Plagues Creatives
• Understanding the Migrant Caravan in the Context of Imperial Plunder and Dispossession
• A Portland Whiskey Maven Is Opening a Cocktail Bar in SE
• Which animals have tusks?
• Harry Potter Kano Progamming Kit
• Exploring Children’s Books at the Portland Book Festival 2018
• Bookshelf: You’re Gonna Need a Bigger Coffee Table: 9 Gift Books for the Discerning New Yorker
• How to Be an African Travel Writer in Africa?
• The 10 Best Books of 2018
• Gorgeous ‘Black Future Month’ Tracks A Writer’s Development
• DJI Osmo Pocket Is the World’s Smallest Motion-Stabilized 4K Camera
• 20 Winter Cocktails Because Nobody Wants to Go Out In This Weather
• Adventurer Captures Amazing Aerial Shots of His Travels Across 43 Countries
• Iconic Disney Characters Reimagined as Classic Oil Paintings
• The Inventory’s 2018 Stocking Stuffer Gift Guide: 150 Genuinely Useful Gifts For Under $20
• Mira Nair, Director of Monsoon Wedding and The Namesake, Teaches an Online Course on Indie Filmmaking
• Beautiful ebook novels with Ulysses
• Ancient Law, The (Blu-ray Review)
• ‘Mirai’ and ‘Tito and the Birds’ Are Must-See Underdogs in Best Animated Feature Race
• Breathless
• Don’t Be Intimidated by 100 Years of Ingmar Bergman
• Ingmar Bergman’s Cinema is an Essential Blu-ray Release
• Where to begin with Nuri Bilge Ceylan
• Red Red Roeg
• The 2018 SAVEUR Edible Gifts Guide
• Lion Forge restructures, lays off 12
• Thimble Theatre: The Pre-Popeye Comics of E.C. Segar
• A Close-Reading of The Talented Mr. Ripley as Coming of Age Story
• Elvira Mistress of the Dark Original Trailer (James Signorelli, 1988)
• Mark Kermode reviews 8½ (1963) | BFI Player
• SHOAH: THE FOUR SISTERS (Masters of Cinema) UK Home Video Trailer
• Why Are There So Few Smartphones In Popular Movies?
• Extremophiles 101 | National Geographic
• Director Julian Schnabel on Vincent van Gogh’s undying appeal | AT ETERNITY’S GATE | TIFF 2018
• Why should you read Kurt Vonnegut? – Mia Nacamulli
• TCM Classic Film Festival 2019 – Opening Night Announcement!
• MOVE your WordPress site to a NEW HOST – (Migration)
• Demi Adejuyigbe, “Guide to Makin’ and Livin’ Jazz” – XOXO Festival (2018)
• Six-Year-Old Elephant Lily Dies From Virus At Oregon Zoo
• #ThotAudit is just the latest tactic people are using to harass sex workers online
• The best streaming video player to buy right now
• Byeeeee, Logan Paul: Brands Prefer ‘Micro Influencers’ Now
• The Complete Mr. Arkadin
• Fiction: The Fantasy Master N.K. Jemisin Turns to Short Stories
• That time David Edelstein said something dumb
• Shoplifters Is a Brilliant Dickensian Tale for a Modern Age
• WordPress 5.0 RC2
• Everything Coming to iTunes & the Apple TV App in December 2018
• WarnerMedia OTT Video Platform to Offer Three Service Tiers
• NPR’s Fresh Air Fires Film Critic Over a Facebook Joke
• Why Amazon Should Buy Barnes & Noble
• Shoplifters
• The Best Book Covers of November 2018
• The 2018 Holiday Gift Guide for Comic Book Lovers
• 1990s Tech in “The Beach” – Banjo-Kazooie Hallucination
• 1990s Tech in “The Beach” – Rampage on the Game Boy Color
• 1990s Tech in “The Beach” – Ending Scene
• Update: NEW VIDEO ESSAY
• FIRST BLOOD – two scene analysis videos by Rob Ager
• Hedy Lamarr, the Movie Star Inventor
• Shay Mitchell Reviews Demonic Possession Scenes in Movies | Vanity Fair
• Why Julie Andrews Didn’t Cameo In ‘Mary Poppins Returns’
• The Cult-Favorite AeroPress Coffee Maker Is Just $22
• Sarah Silverman: ‘I cringe at material I did 10 years ago’
• Global Discoveries on DVD: Auteurist Updates
• Dave Eggers Reads Sam Shepard
• “Cradle of Humanity” Reconsidered in Light of New Stone Tool Discovery in Algeria
• How ‘Lost in Space’ Might Be Explained by Wormholes
• Revisiting Bernardo Bertolucci’s Artistic Ambitions, and Abuses, in “Last Tango in Paris”
• Are Tiny Books a Sign of the Twee-ification of Literary Culture?
• Liv Ullmann’s Eightieth-Birthday Celebration
• Last Days of FilmStruck
• The Best Video Games of 2018
• “Don’t Look Now,” Nicolas Roeg’s Uncanny Masterpiece
• Mowgli: Legend of the Jungle Takes The Jungle Book in an Infinitely More Nightmarish Direction
• Try Copying Your Favorite Masterpiece and See What You Learn
• The Complicated Legacy of Bernardo Bertolucci
• The 25 Greatest ‘Not Dead Yet!’ Scares in Movie History
• Lena Dunham’s 10 Favorite Books
• The Ludwig Von Drake Dilemma
• 1990s Tech In Danny Boyle’s “The Beach”
• What’s new on Netflix, Amazon Prime Video and Hulu in December
• Collectors of all kinds will love these organizational apps!
• Kent Williams @KentWms
• This Month on TCM: December 2018
• Mexican poster for SÓLO CON TU PAREJA (Alfonso Cuarón, Mexico,…

• SUSPIRIA 2018: Death To Duality
• IDFA 2018 Presents Industry Talk: Steve James and Claire Simon on Storytelling in Serialized Documentaries
• Why Scrooged remains the ultimate anti-Christmas film
• Dazed and Confused
• Rupert’s 2018 Film Geek Gift Guide (Discs)!
• Italian 2-fogli for DON’T LOOK NOW (Nicolas Roeg, UK/Italy,…
• Creed II and the problem with modern boxing movies
• Getting Over the Horror of the Same Old Thing
• The One Where I Announce I’m Joining Mac Power Users
• Here’s how NASA will attempt to land on the red planet Monday
• Facebook Isn’t a Community, It’s a Company Town
• I Drank All This Egg Nog So You Don’t Have to and Also Now I Want to Puke
• Japanese Lifestyle Store Muji Is Here to Fill the Empty Hole in Your Life
• Magic: The Gathering Players Take Over the Oregon Convention Center
• Terrariums to Tiny Pies to Woke Tees, Your 2018 Holiday Gift Guide
• The Umbrellas of Cherbourgh
• Nicolas Roeg obituary: one of British cinema’s greatest visionaries
• Nicolas Roeg 1928-2018
• ‘America to Me’ is Important For Us All
• Champagne Is the Only Wine You Need for Thanksgiving
• Here’s What Netflix Left Out of Wild Wild Country
• Nicolas Roeg: a daring film-maker of passionate and visceral brilliance
• Nicolas Roeg, director of Don’t Look Now and Walkabout, dies aged 90
• ‘The Princess Bride’: Revisiting Rob Reiner and William Goldman’s Paean to Pure Storytelling
• New, Independent Criterion Channel to Launch Spring 2019
• ‘Dungeons & Dragons’ Gift Guide 2018
• Orson Welles’s Purloined Letter: F FOR FAKE
• ‘Greatest Showman’ Re-Imagined
• Toxic Masculinity Is The Bad Guy In ‘Ralph Breaks The Internet’
• Create Your Own Personal Archive of Web Pages With This Chrome Extension
• Kikagaku Moyo Announce 2019 U.S. Tour Dates
• Weezer Finally Announce Release Date for The Black Album, Unveil Second Single
• How to use science fiction to teach tech ethics
• ‘Che’ Graphic Biography Explores The Myths And Truths Of The Legend
• Tiny Emus: play old games online without hassle
• Kurt Vonnegut on how to write a short story
• Twilight Turns Ten: What the Response to a Hit Franchise Tells Us About Who’s Allowed to be a Tastemaker
• Ijeoma Oluo, Writer/Editor – XOXO Festival (2018)
• The World of UPA – TRAILER
• Bob Weide on UMBRELLAS OF CHERBOURG
• End of Space – Creating a Prison for Humanity
• My Favorite Wireless Headphones | 2018!
• Ralph Gibson & Laurie Anderson | Self-Exposure
• How To Hear The Planet Earth (and ignore it) [with Demetri Martin]
• Janelle Monáe Has One Helluva Team | Fast Company
• Getting Fired Helped Launch Janelle Monáe’s Career | Fast Company
• David Attenborough On Dynasties | BBC Earth
• Two Cats Keep Trying to Get Into a Japanese Art Museum … and Keep Getting Turned Away: Meet the Thwarted Felines, Ken-chan and Go-chan
• Bernardo Bertolucci, Oscar-Winning Director of ‘The Last Emperor,’ Dies
• Hirokazu Kore-eda on ‘Shoplifters,’ Remembering Kirin Kiki, and the Evolving Definition of Family
• The Film Stage’s 2018 Holiday Gift Guide
• ‘Candyman’ Comes Knocking with a Gorgeous New Blu-ray from Scream Factory
• We’re Thankful For These Silver Linings of 2018
• Our Pick of the Week Is a Movie to Be Thankful For
• Bernardo Bertolucci, Italian film director, dies at 77
• #65 – Childhood by Hirokazu Kore-eda // Enfants rois
• Guillermo Del Toro and Edgar Wright on Why They Mobilized to Save FilmStruck
• The Criterion Collection • Re: Ingmar Bergman’s Cinema
• How Guy Raz Built ‘How I Built This’
• Nicolas Roeg: A life in film
• Director Nicolas Roeg dies aged 90
• Teen Shares Video of Himself Cooking Rat on Grill of Burger Joint, Gets Fired
• Dementia 21
• Best of the Cyber Monday Deals
• Delve Deep into the Ultimate D&D Mega-Dungeon with Dungeon of the Mad Mage
• Disney Expands Home Video Market Dominance in 2018
• Star Trek: Discovery — Season One
• Cyber Monday 2018: All the best tech deals at Amazon, Target, Best Buy, Newegg, and more
• Hopes and Expectations for Apple’s 2019
• The Best Note-Taking Apps for Any Task
• What is Federal Land?
• The internet stinks and ‘Ralph Breaks the Internet’ knows why
• Save 20% on the Voyager Golden Record 2xCD/Book edition
• What is Federal Land?
• Brad Bentley to Head WarnerMedia’s OTT Video Group
• All FilmStruck movies that will disappear Nov. 29
• PERFORMANCE – FILMSTRUCK
• 569 Free Art Books From Metropolitan Museum of Art Collection Now Available Online
• The Tragedy of Electronic Music
• How a Six-Year-Old Kid Saved Himself from Being Lost in the Woods
• Get Your Finances in Order Before the New Year
• A Follower-Free App Asks You to Photograph Moments You Normally Don’t Share
• Vulture interviews Nancy’s Olivia Jaimes
• The winners in a massive roundup of the 100 Best Pens are surprisingly affordable
• A24’s Film Catalogue Lands On Kanopy, The Streaming Service You Now Love
• Olivia Jaimes, the Mysterious Cartoonist Behind ‘Nancy,’ Gives Rare Interview
• Bernardo Bertolucci On the Making of Ten of His Classic Scenes
• How Bernardo Bertolucci Found Himself
• Everything is Permitted: A Study of Nicolas Roeg
• Inside the Box
• Loving Memory: After Life and Shoplifters
• 7 Jackets Perfect to Help You Survive Through the Winter
• Orson Welles Ends Himself
• Mamoru Hosoda on Mirai, Fatherhood and the Meaning of Life
• The Top 10 TV Gifts of 2018
• The 50 Best Albums of 2018
• Lucrecia Martel’s First Doc Chocobar, A Collaboration among Sundance and London’s ICA, Among New Sundance Documentary Program Grants
• The Fan Edit: What Do You Mean, It’s Not Our Film?
• Remembering The Work Of Director Bernardo Bertolucci
• First Trailer for Olivier Assays’ ‘Non-Fiction’ Finds Juliette Binoche Confronting the Modern World
• The Origin of Life with PZ Myers
• How Gecko Feet Work | How Things Work with Kamri Noel
• How Close Are We to Completely Mapping the Ocean?
• Netflix Unveils 2019 Anime Highlights
• “Free to Be … You and Me” Cartoons on Records
• How Nicolas Roeg (RIP) Used David Bowie, Mick Jagger & Art Garfunkel in His Mind-Bending Films
• Brubaker & Phillips & Criminal: Blood Simple
• Thank You, Katie Floyd
• Anaphora: David Cronenbeg’s “Cosmopolis”
• Two Deaths
• ‘Magnificent Ambersons’ gets white-glove treatment (review)
• Video Essay. Anaphora: David Cronenberg’s “Cosmopolis”
• A Conversation with Mamoru Hosoda
• My List of Movies to See Before the End of 2018
• How a $15,000 Movie Rallied a New Generation of Black Auteurs
• Did Dundee inspire Frankenstein author Mary Shelley?
• De Niro & De Palma The Early Films – The Arrow Video Story
• #77: The Effective Executive
• Face Value
• The World of UPA
• For Bernardo Bertolucci, the hype over ‘Last Tango In Paris’ both defined and sidetracked his career
• Bernardo Bertolucci: The emperor’s new clothier
• Appreciation: Nicolas Roeg, director of ‘Don’t Look Now,’ was a darkly sensual poet of the screen
• RIP Nicolas Roeg: A career interview with the late British filmmaker
• Diamond and Silk run the most obvious con on the right
• YouTube annotations will disappear for good in January
• Adult Swim Announces Rick and Morty Season 1-3 Box Set
• The Director’s Cut: A Label Often Redefined, Now by Lars von Trier
• Responding to some questions about “Acid Westerns” and DEAD MAN
• The Ultimate Vengeance Of Professor Death: A Novella
• All the best TVs I didn’t buy
• Nostalghia Critique
• 2-Week-Old African Painted Dog Pups
• Extinct ‘Siberian Unicorns’ Walked the Earth Alongside Modern Humans
• Books and calendars in Photos for Mac: What are the best options?
• Billy Wilder’s ‘The Apartment,’ Ingmar Bergman’s ‘The Serpent’s Egg,’ De Niro-De Palma Teamings Highlight December Disc Releases from Arrow and MVD
• PlayStation Classic review: A far-from-classic experience
• THE FOUNTAIN – FILMSTRUCK
• Watch Carl Sagan’s classic lecture series for kids and adults
• The Tramp meets a flower girl in City Lights
• Antitrust, the App Store, and Apple
• Castro Sold to Tiny
• ‘The Art of Laurent Durieux Part Two’ Gallery Show Recap!
• Thank god Halt And Catch Fire didn’t go with its original ending
• All in the family
• Gosford Park (Blu-ray Review)
• A Beloved Ladd’s Addition Coffee Shop Is Opening A Second Location Downtown
• Film Critic David Edelstein Fired by NPR Over ‘Last Tango in Paris’ Rape Joke
• Warner Releases Streamlined ‘Batman: The Animated Series’ Blu-ray
• Dreaming The Dreamers: Gilbert Adair on working with Bernardo Bertolucci
• Be Careful, Our Pick of the Week Bites
• Contempt
• XOXO Holiday Market
• A Tribute to YouTube Annotations
• The Mickey Mouse “Rambler” Commercial
• CHRISTMAS BOOKS FOR DISNEY LOVERS
• High-Def ‘Popeye the Sailor: The 1940s Vol. 1’ Sets Sail in December
• Festival
• Swedish Gods.
• The Japanese Whisky Shortage Won’t Stop
• The Serpent’s Egg (Blu-ray Review)
• The Virgin Spring (Blu-ray Review)
• ‘In the Shadow of Women’ DVD: French New Wave Style Look at Intricacies of Infidelity
• Warner Archive Releasing Classic ‘Popeye’ Cartoons
• British Ditching DVD Players?
• H.I. #113: Thelma & Louise
• Icons: Marcello Mastroianni
• Watch 99 Movies Free Online Courtesy of YouTube & MGM: Rocky, The Terminator, Four Weddings and a Funeral & More
• Pre-order the Satechi Type-C Mobile Pro Hub for the 2018 iPad Pro
• Nik’s Minimal Wallets
• The End of Space Travel?
• “Let It Be” – Life Advice from The Beatles
• Stop treating Mastodon like a startup
• 302: Paint This Square
• How to Game the App Store
• Toronto 2033: science fiction writers imagine the city of the future
• Bernardo Bertolucci obituary: an extraordinary director of visually outstanding cinema
• No Yellow Wallpaper
• Being Mean Jesus
• 10/10: Christian Petzold
• Radio interview about THE OTHER SIDE OF THE WIND
• 2001: An Odyssey in Bits #1
• Best Tips For the Labyrinth That Is Instagram
• The longest continuous time lapse from space
• Mitch McConnell’s Farm Bill Could Blow Up the CBD Market
• Things That Make No Sense in This Nonsensical World: Netflix’s Live-Action Cowboy Bebop
• Did a Rave Review Really Shut Down Portland Burger Bar Stanich’s? Maybe It Was the Owner’s Legal Troubles.
• Spider-Man: Into the Spider-Verse review – a dazzling animated caper
• The Best (and Most Affordable) Holiday Gifts for Video Editors
• ‘Mowgli: Legend of the Jungle’ Review: A Boy and His Digitized Wolves
• ‘Spider-Man Into The Spider-Verse’: Irreverent, Modern, Meme-y, Mashup Superhero Move Is Spectacular [Review]
• What We’ve Learned from Dieter Rams, and What We’ve Ignored
• ‘Mowgli’ Review: Andy Serkis’ Impressive Effects Can’t Mask Unappealing Remake
• ‘Boyhood’ Producer Jonathan Sehring Leaves Position as Co-President of IFC Films
• ‘Spider-Man: Into the Spider-Verse’ Review: The Superhero Movie We Need
• Prince’s entire catalog of obscure, hard-to-find music videos, collected and annotated
• IFC Films Co-President Jonathan Sehring to Exit at Year’s End
• Film Review: ‘Spider-Man: Into the Spider-verse’
• Review: The terrific animated film ‘Spider-Man: Into the Spider-Verse’ opens a whole new web of intrigue
• On Her Shoulders
• Gift ideas for the music lover in your life
• The Power of Flashbacks in Julien Duvivier’s Lydia
• The “Very Unusual” Fashion Show at the Heart of True Stories
• The Knotty Legacy of Bernardo Bertolucci
• It’s Almost 2019. Do You Know Where Your Photos Are?
• ONCE UPON A TIME IN CHINA Trilogy Limited Edition Blu-ray Trailer
• 2018 Macbook Air Review: No Risk!
• 2019 Sundance Film Festival Program Announcement
• ScreenTimes: If Beale Street Could Talk
• Batman: The Complete Animated Series/”The Heart of Batman” – “Dark Deco” clip
• Spider-Man: Into the Spider-Verse Is the Game-Changing Origin Story You’ve Been Waiting For
• The Inventory Gift Guide For Gadget Junkies
• The 2018 Music Book Gift Guide
• Sherlock’s Steven Moffat and Mark Gatiss have found their Dracula 
• Book blurbs seem like a real pain in the ass for everyone involved
• The best comics of 2018
• What We’ve Learned from Dieter Rams, and What We’ve Ignored
• Eames Office Oral Histories: Billy Wilder talks about his friends Charles and Ray Eames
• What is the ‘True’ Version of a Classic Animated Short?
• ‘Hello, my name Is Monique Mitchell.’
• How to Use Shortcuts to Easily Add Photos to a Specific Album
• Mic has laid off the majority of its staff
• Red Rooms
• Satanic Rites of Dracula, The (Blu-ray Review)
• Single White Female (Blu-ray Review)
• Looking Back: First Rousing ‘2018 in Film’ Retrospective Video Montage
• BFI to refuse funding for films with facially-scarred villains
• To Be or Not To Be (Ernst Lubitsch, 1942)
• Nicolas Roeg and Bernardo Bertolucci: two film greats remembered.
• EAGLE SHOOTING HEROES/CHINESE ODYSSEY 2002 – CRITERION CHANNEL
• It’s No Wonder Netflix’s Mowgli Took Forever to Be Released
• Long Live the Spirit of FilmStruck
• “The Oral History of ‘San Junipero’”
• The 100 Best Pens
• The Best TV for Video Games
• Our Favorite Kids Pajamas
• WordPress 5.0: A Gutenberg FAQ
• NEVER-ENDING MAN: HAYAO MIYAZAKI – New U.S. Trailer Documentary on Studio Ghibli Co-Founder
• Mozilla pulls a popular paywall circumvention tool from Firefox add-ons store

• 1Writer Updated for iOS 12
• Remembering Stan Lee
• What He Taught Me
• Screenshooting on the iPad
• The First Film Version of Frankenstein, Newly Restored!
• 30 Years of Movies in 30 Days
• Criterion Announces New Streaming Service To Replace FilmStruck: Become a Charter Subscriber Today
• A Printable Educator’s Guide to Using Picture Books in the Classroom
• Delay, Deny and Deflect: How Facebook’s Leaders Fought Through Crisis
• With FilmStruck disappearing, Criterion is launching its own streaming service
• New, Independent Criterion Channel to Launch Spring 2019
• The Big Lebowski 4K (Blu-ray Review)
• Severin: Ecco and The Forbidden Heading to Blu-ray
• Rambo Trilogy 4K Restoration Trailer
• Criterion: The Magnificent Ambersons and True Stories Delayed
• Criterion Announces February Titles
• New, Independent Criterion Channel to Launch Spring 2019
• RENDEZ VOUS D’ANNA – EXCLUSIVE CLIP
• HELLBOY DAY to commemorate the 25th anniversary of SEED OF DESTRUCTION #1
• NASA Digitizes 20,000 Hours of Audio from the Historic Apollo 11 Mission: Stream Them Free Online
• Our 2018 Novelty Gift Guide
• The Gifts We Want to Give in 2018
• The Trial of Joan of Arc (Proces de Jeanne d’Arc, Robert Bresson)
• Russia’s “Winnie-the-Pooh” Animated Series
• 10 great comedies set in the workplace
• THE CRIMES OF GRINDELWALD: The Wizarding World Films Get Their Own ATTACK OF THE CLONES
• The Darjeeling Limited Perspective
• Misfill, Home Studio Edition
• Allan Arkush on WILD BOYS OF THE ROAD
• Shelley Stamp on Pioneers: First Women Filmmakers
• French grande for LES RENDEZ-VOUS D’ANNA (Chantal Akerman,…
• An Instagram Account Dedicated to Japanese Walls
• The TGS 2018 Holiday Gift Guide Is Live!
• Lovelorn LYDIA: A new installment on the Criterion Channel
• Best social media apps for iPhone and iPad in 2018
• The Books Briefing: What to Read on Your Holiday Trip
• The Gorgeous Savagery of My Brilliant Friend
• The Wes Anderson Alphabet
• The Curse of Winning “America’s Best Burger”
• 13 Days in France
• Tetris Effect is perfect for people overwhelmed by modern video games
• Kevin Alexander Found the Best Burger Place in America, Which Killed It
• The Radical Splendor of the L.A. Phil 
• Roma Is the Culmination of Everything Alfonso Cuarón Has Ever Done
• RIP, Pablo Ferro
• The Ars Holiday Gift Guide 2018—good tech for the home and home office
• J. K. Rowling and the Curse of the Prequel Series
• The Strange Case of Stan Lee
• Belonging: A German Reckons with History and Home
• Stan Lee Interviewed by Ted White – 1968
• #65- Childhood by Hirokazu Kore-eda // Enfants rois
• The 512 Pixels Holiday Gift Guide for People Like Me
• 301: I Cut Them Up in the Air
• Moving Back to Ulysses
• How to Record and Edit a Podcast with Ferrite for iOS
• I’m Kurt Gies, Social Media Manager for the Philadelphia 76ers, and This Is How I Parent
• Teach Your Teens These Five Things About Money
• Sheet Pan Fajitas – Nightshade-Free and AIP-Friendly
• Home Screen Icon Creator: A Shortcut to Create Custom Icons for Apps, Contacts, Solid Colors, and More
• Amazement at iOS cursor movement shortcut says a lot about discoverability
• Wages of Fear
• Being Negative Is Lazy, Easy And Safe
• To Go Away and Not Find the Way Back
• Watch: Olivier Assayas Discusses Ingmar Bergman’s ‘Absurdly Important’ Persona
• Upcoming Warner Archive Blu-ray Releases
• Dracula: Prince of Darkness Collector’s Edition Blu-ray Detailed
• Olaf’s Frozen Adventure (Blu-ray Review)
• Best Kids’ Books of 2018
• Down to cases
• Addams Family Values Is a Darkly Funny Thanksgiving Satire
• Holiday Gift Guide 2018 – Nom Nom Paleo
• Extended app icon shortcut
• Happy 90th Birthday Mickey Mouse: Fun Facts about “Steamboat Willie”
• Frazetta Drawings
• german illustration 1.1
• german illustration 1.0
• Download 569 Free Art Books from The Metropolitan Museum of Art
• Studying Humpback Whales to Better Communicate with Aliens
• We need a Green New Deal, and we need it now
• “Denis Villeneuve has shown us his take on Dune for years now, you just don’t know it yet”
• german illustration 1.2
• announcing my next project!
• Warner Archive Collection Announces the DVD and Blu-Ray Release of “POPEYE THE SAILOR: The 1940s” Vol. 1
• Second Run: 4K Restoration of Diamonds of the Night Detaied for Blu-ray
• Kino: 4K Restoration of Jean-Pierre Melville’s Le Doulos Coming Soon to Blu-ray
• Orgies of Edo (Blu-ray Review)
• Blu-ray Review Round-up: Films by Joaquim Pedro de Andrade, Mohsen Makhmalbaf, Olivier Assayas & more!
• Thunderbean Thursday Thanksgiving 2018
• Tweeting App Store links via Shortcuts
• The Ravishing Way Park Chan-wook Uses Color in The Little Drummer Girl
• The End of The Clinton Affair
• The Making of “Bohemian Rhapsody”: Take a Deep Dive Into the Iconic Song with Queen’s 2002 Mini Documentary
• Free: Download 15,000+ Free Golden Age Comics from the Digital Comic Museum
• Classic Radiohead Songs Re-Imagined as a Sci-Fi Book, Pulp Fiction Magazine & Other Nostalgic Artifacts
• Deals & Drops: Black Friday/Cyber Monday Master List
• Alexandria Ocasio-Cortez’s Twitter is the ultimate antidote to Donald Trump’s Twitter
• Videos from this year’s XOXO Festival
• The Art of Laurent Durieux: Online Release!
• Music Weekly: Distro. Titles including Studio Ghibli Represses
• My Blogging Workflow: iPad, Ulysses, and WordPress
• Google Integrates Assistant App with Siri Shortcuts on iOS
• My Markdown Writing and Collaboration Workflow, Powered by Working Copy 3.6, iCloud Drive, and GitHub
• Black Friday 2018
• Top 10 iPad features I’d like to see in iOS 13 (Macworld)
• A Review of the New 2018 iPad Pro
• Windowed – an web browser for Instagram
• Best Cookbooks (Fall 2018): José Andrés, Anissa Helou, Simone Klabin
• FilmStruck Is Shutting Down: Stream These 10 Movies Now
• Recomendo Announcement
• “Do the Right Thing”: National Film Registry 30/30
• WordPress 5.0 Release Candidate
• Our 2018 Stocking Stuffer List
• Invention for Destruction [Blu-ray review]
• I Walk Alone (Blu-ray Review)
• Shoplifters: Is This Your Family?, by Scott Nye
• Margarethe von Trotta: “Becoming a director was always the real goal”
• About Endlessness: Roy Andersson teases his new film in Seville
• Philip Kaufman’s ‘The Right Stuff’: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days”
• Clouzot: The Early Works
• “Infusion Of New Blood Is Necessary To Remain Viable”: Kore-eda Hirokazu Expands his Palette for Shoplifters
• 10/10: Rachel Kushner
• Just The Discs – Episode 81 – William Castle At Columbia Vol.1 (Indicator)
• The Criterion Channel is coming back!
• Watch the brand new trailer for Jean-Luc Godard’s The Image Book
• Shoplifters
• Hirokazu Koreeda: ‘I want to make visible the people the government ignores’
• Discover the erotic grotesquery of this Japanese triptych
• A Portrait of the Artist as a Noir Fan
• Are the Adults All Right?
• The Virgin Spring
• Best Streaming Media Players of 2018
• Five Essential Christmas Movies to Watch With Your Kids
• Some Geek-Friendly Black Friday Deals
• Ingmar Bergman Persona & Autumn Sonata Posters Release By Black Dragon Press
• SHE-RA’s Queer Rep Might Be Too Subtle
• Snows of Grenoble
• Shuri #2 The Princess, The Goddess, and The Ex
• The 2018 SAVEUR Photographer Gift Guide
• George’s 2018 Gift Guide
• A New Collection of Saul Steinberg’s Influential Cartoons
• An Exhibition Critically Explores the History of Missionaries in Hawai’i
• 10 Art Books That Will Nourish Your Creative Soul This Month
• Bookstore Finally Sells Book That’s Been Sitting on Its Shelves for Over 27 Years
• Here’s How Wes Anderson Curated an Exhibition for Austria’s Largest Museum
• “Is blood enough?” Koreeda Hirokazu on makeshift families and Shoplifters
• NYC film series showcases ‘Actor for Hire: The Other Side of Orson Welles’
• ‘The Other Side of the Wind’ screenplay available as free download
• 10 Great Gifts for Movie Lovers — 2018
• Kiarostami, Suzuki and Clouzot on Criterion Blu-ray in February
• The 2018 SAVEUR Cookbook Gift Guide
• 11 must-have Black Friday deals for anyone on your list
• 13 movies to watch on FilmStruck before Warner Bros. pulls the plug on the streaming service
• The 10 Best Episodes of The Sopranos
• Pre-Holiday New Art Book Shopping List
• Shoplifters’ Hirokazu Kore-eda on Avoiding the ‘Trap’ of Poverty Porn
• 10 Female-Led Noirs to Watch If You Loved Widows

• Super Punch: “Denis Villeneuve has shown us his take on Dune for years now, you just don’t know it yet”

• We need a Green New Deal, and we need it now | The Outline

• Studying Humpback Whales to Better Communicate with Aliens

• Download 569 Free Art Books from The Metropolitan Museum of Art | Open Culture

• german illustration 1.0 | One1more2time3’s Weblog

• german illustration 1.1 | One1more2time3’s Weblog

• Deja View: Frazetta Drawings

• Happy 90th Birthday Mickey Mouse: Fun Facts about “Steamboat Willie” |

• Extended app icon shortcut – All this

• Down to cases – All this

• Holiday Gift Guide 2018 – Nom Nom Paleo – Nom Nom Paleo®

• Olaf’s Frozen Adventure Blu-ray

• ‘Addams Family Values’ Is a Brilliant Thanksgiving Film – The Atlantic

• Best Kids’ Books of 2018 | Common Sense Media

• Dracula: Prince of Darkness Collector’s Edition Blu-ray Detailed

• Upcoming Warner Archive Blu-ray Releases

• Watch: Olivier Assayas Discusses Ingmar Bergman’s ‘Absurdly Important’ Persona | Filmmaker Magazine

• To Go Away and Not Find the Way Back | The Ships of Ingmar Bergman

• Being Negative Is Lazy, Easy And Safe | Cinema Sangha

• Moving Back to Ulysses – Bicycle For Your Mind

• How to Record and Edit a Podcast with Ferrite for iOS – BirchTree

• Accidental Tech Podcast: 301: I Cut Them Up in the Air

• #65- Childhood by Hirokazu Kore-eda // Enfants rois on Vimeo

• The 512 Pixels Holiday Gift Guide for People Like Me – 512 Pixels

• First Trailers and New Images Arrive For LAIKA’s ‘Missing Link’
• How Sevilla Became a Bicycle City in Just 18 Months
• Book Excerpt: Amazing Images from the New ‘Isle of Dogs’ Companion
• The 2019 Hobonichi Techo Planner
• The Free Music Archive is closing this month
• The 2018 Christmas Catalog
• The 2018 U.S. Midterm Elections, in 20 statistics
• Netflix’s She-Ra reboot follows closely in Steven Universe’s footsteps
• Vine is back
• Even for the Harry Potter hardcore, Crimes of Grindelwald is one convoluted movie
• MacBook Air 2018
• Mac mini 2018
• iPad Pro 2018
• Elevator to the Gallows
• Keeping up with IP number changes
• What the Beatles Sounded Like Unedited
• Tetris Effect is a glorious love letter to Tetris
• The Art Institute of Chicago Has Put 50,000 High-Res Images from Their Collection Online
• Sony using open source emulator for PlayStation Classic plug-and-play
• How to download your Flickr photo library and transfer it to Google Photos or iCloud Photo library
• The Tumult Breaks Loose
• The 2018 iPad Pro
• If you just got a new iPad Pro you want these apps to go with it
• The Bad Sleep Well
• The Talk Show: ‘Welcome to Dongletropolis’
• Ralph Bakshi looks back at “The Lord of the Rings” for its 40th Anniversary
• Getting the iPad to Pro
• THE PRINCESS BRIDE – #948
• TRAILER: Laika Studios “Missing Link”
• TRAILER: Kelly Asbury’s “UglyDolls”
• “Hallowe’en” (1931) with Toby the Pup!
• An unzipping shortcut
• Travel Writing About Africa, Reimagined
• Technicolor PostWorks’ Ben Murray leads panel on distribution at DOC NYC
• Music Weekly: WON’T YOU BE MY NEIGHBOR? Soundtrack + HOME ALONE Restock!
• Circuit Pattern
• The Battle of Algiers
• Hopper, Coppola, Bronson and Kramer on Indicator Blu-ray in January
• Delivering Meaning with Previews on Web
• RIP Stan Lee (1922-2018)
• Create and Open Zip files on Your iPhone or iPad (with Shortcuts)
• ‘An Unshakable Humanism’ — Michael Chabon on Stan Lee
• New Flickr boss, not the same as the old boss
• Reminder and GoodTask: Third-Party Upgrades to Apple’s Reminders
• Vectornator Pro: Graphic Design for the iPad and iPhone Reimagined [Sponsor]
• 4 iPad Features That Apple Should Bring to the iPhone (Tom’s Guide)
• The Experience Economy
• Barbecue-Topped Pizzas Will Hit NE Broadway Next Month
• Killer of Sheep Archive
• Il Sorpasso
• The risqué art of the Carry On poster
• The Story of ‘Saboteur’, Hitchcock’s First Truly American Film
• A Farewell to Ferdy
• The strange, surprising legacy of Jacob’s Ladder
• The Polish-American immigrant who changed the face of animation
• André Bazin, man of the cinema
• The Instagrammers Next Door, Plugging Brands for Peanuts (or Shampoo)
• Some good came out of 2018: Astronomy photos
• Todd McFarlane Compares Stan Lee to Walt Disney
• The Best of Stan Lee’s Marvel Comic Books
• Demi Adejuyigbe, Screenwriter/Comedian/Podcaster – XOXO Festival (2018)
• Last Call: Yo, I made pho in my Instant Pot in 20 minutes
• All the Colors of Giallo Blu-ray
• Rider on the Rain Blu-ray
• Criterion: Some Like It Hot and A Story from Chikamatsu Delayed
• The Beatles (Blu-ray Review)
• Stan Lee: 1922-2018
• Watching ‘The Prisoner’ with ‘Repo Man’ director Alex Cox
• How Hollywood stole ‘The Grinch’
• Paper coffee cups will be the death of us
• Realistic Pokémon are an affront to God
• All of the Stan Lee cameos from Marvel movies, and why we love them
• First Look at SteelBook Edition of Rintaro’s Metropolis
• Used Cars Blu-ray
• Kino: 4K Restoration of Bob Fosse’s Sweet Charity Prepped for Blu-ray
• Severin: All the Colors of the Dark Restored in 4K, Blu-ray Release Detailed
• Creepshow (Collector’s Edition) (Blu-ray Review)
• The Grinch Review: Stolen Seuss
• Superman: The Movie 4K (Blu-ray Review)
• Batman: The Complete Animated Series (Blu-ray Review)
• 25 Amazing Holiday Gift Ideas Under $25
• The internet’s horrified with Detective Pikachu
• Jazz Deconstructed: John Coltrane’s “Giant Steps”
• “Finnish soldiers find ‘secret Russian military bases’ after raiding mysterious island”
• WordPress 5.0 Beta 4
• Two Feminist Directors Who Exposed the Trials of Working Class Women
• Björk’s Movie Debut, The Juniper Tree, Is Restored and Revisited
• The Beginning of the End?
• Streaming: Filmstruck’s fate signals dark days for classic movies online
• TRAILER: “Detective Pikachu”

• 299: Headphone Bump
• Austin Mann: A Photographer’s Review of the iPad Pro
• 2018 iPad Pro review: “What’s a computer?”
• Kindle Paperwhite 2018 review: The best-value Kindle gets even better
• The Street Fighter Blu-ray Collection
• Lu Over the Wall Blu-ray
• Batman: Mask of the Phantasm (Blu-ray Review)
• IT’S A WONDERFUL LIFE Announced for 4K Ultra HD Blu-ray
• 4K Ultra HD Summit Promotes Format, Honors Nolan
• Roll of honour: 15 movie legends who served in the First World War
• You Get to Live a Lot of Life: An Interview with Liv Ullmann
• In the ’90s, Batman was at its best in Mask of the Phantasm
• MORNING GLORY/WITHOUT LOVE/UNDERCURRENT/SYLVIA SCARLETT – FILMSTRUCK
• 24 Things We Learned from ‘The Naked Prey’ Commentary
• LAURA (Masters of Cinema) New & Exclusive HD Trailer
• How To Understand Your Meat Computer a.k.a. The Brain [with Demetri Martin]
• Cary Joji Fukunaga Explains Why TV and Film is ‘100% Blended Now’ — IndieWire Honors 2018
• Bill Hader On How Classic Cinema Inspires Him as a Director — IndieWire Honors 2018
• Open Mike Eagle, Rapper/Podcaster – XOXO Festival (2018)
• 2018 TCM Shop Holiday Gift Guide
• Brine a Cauliflower Just as You Would a Turkey

• Trader Joe’s Everything But The Bagel mix is the most versatile seasoning in our kitchen
• GUS VAN SANT’S LOST BOYS – MY OWN PRIVATE IDAHO
• Helter Skelter – NOWNESS
• Two weeks in Japan
• Listen to Dischord Records’ entire catalog for free
• Unmanned roadside stores in Japan
• Rethinking the Archive of Black Visual Culture with Deborah Willis
• RED DESERT’s Inconceivable Values
• Superman: The Movie (4K UHD Review)
• Studio Ghibli animator’s amazing commercials for all-natural bread
• 29 Creative Holiday Gifts Under $20
• 15 Japanese-Inspired Gifts to Creatively Celebrate “Culture Day”
• Photographer Sets Special Cameras for 1,000-Year Exposure of Lake Tahoe
• 20+ Creative Gifts for People Who Love to Read
• Quirky Kokeshi Dolls of Your Favorite Modern and Contemporary Artists
• An Archive Restores and Resurrects Hollywood’s Earliest Indie Films
• The Wonderfully Complicated Characters of ‘Star Trek: Deep Space Nine’
• ANIME REVIEW: “Mamoru Hosoda Movie Collection”
• Predictably, online media go nuts over ‘Oumuamua and Harvard scientists
• ★ The 2018 Retina MacBook Air
• Choosing Your Markdown Editor: A Comparison of Ulysses and Drafts
• Mac mini 2018 review: The Swiss army knife of Macs returns
• MacBook Air review: Center of the Mac world?
• Apple MacBook Air 2018: A Worthy Upgrade
• Bill Hader Wants Everyone to Help Save FilmStruck — IndieWire Honors 2018
• Bill Hader On How Classic Cinema Inspires Him as a Director — IndieWire Honors 2018
• Alex Cox’s Highway Patrolman – Official Trailer
• 2018 Mac Mini Review
• The 2018 Mac Mini
• Why Do We Even Bother Voting For Judges?
• Beth Newell & Sarah Pappalardo, Reductress – XOXO Festival (2018)
• Mac mini 2018 review
• MacBook Air 2018 review

• What’s in My Bag, 2018 Edition
• The Third Murder Blu-ray
• The Pink Panther Cartoon Collection: Volume 4 Blu-ray
• BBC Names Akira Kurosawa’s Seven Samurai the Greatest Foreign-Language Film Ever
• Fandor Targets Stranded FilmStruck Users With Discounted Annual Subscription Offer
• Beware the Beast Man, For He Is the Devil’s Pawn: Franklin J. Schaffner’s ‘Planet of the Apes’
• Review: Luca Guadagnino’s “Suspiria” Is the Cinematic Equivalent of a Designer Che T-shirt
• October 30 Roundup: All The Little Things
• Brooklyn event impressions: Love for the Mac
• Brooklyn event impressions: The iPad Pro is a computer
• Who Owns The Statue of Liberty? (New Jersey vs New York)
• ‘Searching for Ingmar Bergman’ Q&A | Margarethe von Trotta | NYFF56
• HI Minisode: Flags
• Batman: The Animated Series – split-screen clip – “The Laughing Fish”
• Observations on Film Art: Jeff Smith on SHOOT THE PIANO PLAYER
• Hitchcock, Hopper, and the Penultimate Moment
• The Commentary That Made Home-Video History: Ronald Haver on KING KONG
• Barry Jenkins Introduces on MY JOSEPHINE
• neven intro
• dan gray app story intro
• Infinite Football | Official Trailer
• Even More Covers

• Fear of the Streaming Service in a Post-FilmStruck World
• The enduring legacy of The Nightmare Before Christmas
• Inventing the Future: Greetings from Our New CEO
• The Princess Bride (Blu-ray Review)
• Sony Announces Full List of Games for PlayStation Classic Mini Console
• Everything on Amazon Prime Video in HDR10+, Dolby Vision, and/or Dolby Atmos
• ‘Fear and Loathing’ illustrator releases weird new book
• Revisiting the Cursed Dreams of Hayao Miyazaki
• Why You Should Be Watching Maangchi, the Korean Cooking YouTube Star
• Invasion of the Body Snatchers
• Silent ‘Shiraz: A Romance of India’ Coming on Disc Under New Label From Juno Films and MVD
• ‘Scrooged’ Coming on Disc and Digital Nov. 19 From Paramount for 30th
• The Fantagraphics 2018 Holiday Gift Guide!
• Searching for Graham Greene’s Havana
• A Century of Reading: The 10 Books That Defined the 2000s
• Watching Blu-ray movies on Mac is pretty sweet with one of these drives
• iPhone XR review: Bright colors, best value
• IBM’s Old Playbook
• Your Kid’s Apps Are Crammed With Ads
• James Cameron’s Avatar sequels have finally moved on from Papyrus
• No Man’s Sky underwater update adds sea monsters and submarines
• This Is the Most Beautiful Coffee Maker for Your Money
• The Best Book Covers of October 2018
• Archaeologists find 300,000-year-old stone tools in Saudi Arabia
• Researchers can now legally restore “abandoned” online game servers
• Fantastique: the dream worlds of French cinema
• 2001: A Space Odyssey (4K UHD Review)
• Shirkers: the film that never was, but is now.
• Frederick Wiseman on Censorship, Small-Town America, and Why He Dislikes the Word “Documentary”
• Farewell, FilmStruck: A Bittersweet Guide to the Movies to Catch Before It’s Gone
• What’s Coming to Netflix, Hulu and Amazon Prime in November 2018
• Film Review: ‘Searching for Ingmar Bergman’
• Episode 46: Italian Horror
• Leviathan Wakes: The Expanse Book 1 Explained
• There is No Future – Children of Men video appreciation by Philip Kemp
• Ikea fun!
• REJECTED by DON HERTZFELDT (Blu-ray restoration)
• Rare Dumbo Octopus Shows Off for Deep-sea Submersible | National Geographic
• 2018: Year in Review
• 2019: The Year Ahead
• Admit it. Republicans have broken politics
• Good conical burr grinder for coffee $79
• Former US President Carter asks Georgia Secretary of State Kemp to resign
• Fabulous Fantasia
• I Ate a Steak-Only Diet Like Orson Welles and Alfred Hitchcock and Ended Up as Twisted as Them
• 2001: A Space Odyssey (Blu-ray Review)
• 2001: A Space Odyssey 4K (Blu-ray Review)
• October 2018 Apple Event
• Highlights from Apple’s keynote event
• All-new MacBook Air takes flight
• New iPad Pro with all-screen design Is most advanced, powerful iPad ever
• New Mac mini packs a huge punch
• The secret world of Mac mini
• Apple Adds Videos to Developer Portal Featuring The New iPad Pro and Pencil
• The New MacBook Air: The MacStories Overview
• The New 12.9- and 11-inch iPad Pros: The MacStories Overview
• Mac mini: The MacStories Overview
• Shortcuts 2.1 Brings New Weather and Clock Actions, iCloud Sharing Improvements, and More
• Kurzgesagt’s “The Year 12,019 Human Era” Calendar
• Live Stream of a Norwegian Train
• How to Negotiate the Best Deal on a New or Used Car
• Night Of The Living Dead and The Haunting Of Hill House!
• How Do You Move A Bookstore? With A Human Chain, Book By Book
• The Sisters We Want to Be: The Feminist Seductions of Practical Magic
• New Trailer for Italian Doc ‘Ferrante Fever’ About a Mysterious Author
• On the Criterion Channel: Jeff Smith on SHOOT THE PIANO PLAYER
• Sisters
• The Satanic Rites of Dracula
• The Princess Bride: Let Me Sum Up
• A Second Look at Burning
• The New 11″ and 12.9″ iPad Pros: My First Impressions and Hands-On

• WarnerMedia’s classic cinema streaming service FilmStruck is shutting down
• The Verge holiday 2018 gaming guide
• How to get the most out of iOS 12 Shortcuts
• Reel Of The Week: Aya Suzuki
• Image Info shortcut
• Upcoming Arrow Video Blu-ray Releases
• Explainer video: How a gumball machine works
• Torso (Blu-ray Review)
• Night of the Living Dead (Blu-ray Review)
• Ant-Man and the Wasp 4K (Blu-ray Review)
• WarnerMedia Shuttering FilmStruck SVOD Service
• Watch the New Trailer for the Astrid Lindgren Biopic Becoming Astrid
• Alley Oop Will Return (Spoiler Alert)
• Children’s Books: Graphic Novels to Give Kids Chills and Thrills
• How to Migrate Your Notes From Evernote to Apple Notes
• FilmStruck Is the Latest Casualty of the Streaming Wars
• Home Entertainment Consumer Guide: October 25, 2018
• Horror, Horror, Read All About It
• The Nuts and Bolts of Frankenstein’s Movie Monsters
• Probing “Frankenstein” ’s Legacy Through Iconic Memorabilia
• Luca Guadagnino’s Indulgent Remake of Suspiria
• Why the iPod Classic remains one of the best ways to listen to digital music
• Indulge Your Inner Bitter Betty with a Classic Negroni
• These Facts Could Save Your Life, According to Reddit
• Can’t Draw Worth Shit? Try These Exercises
• Introduce Your Kid to This Database of Paper Airplanes  
• La Jetée
• The Non-Disney Mickey Mouse War Cartoons
• Ollie’s Birthday
• Tapped out
• Disney theme parks have a serious problem with cremain-scattering
• The Exterminating Angel
• Nosferatu Rises: Reincarnated in Sound
• Alfred Hitchcock Collectors’ Guide: The Ring (1927)
• And Now the News [THE 4TH ANIMATION CELEBRATION]
• For the Love of Toho II
• Netflix’s libertarian-fascist corporate culture is a hell no one deserves
• Profile: Anne Lamott, Leftie Guru of Optimism
• ‘Key Largo’ Blu-ray: More Proof that Bogie and Bacall Had It All
• ‘The X-Files: Conspiracy Theory’ – Everything Is Connected
• Learn the Simple New Way to Make Google Docs Using Your Browser Bar
• Blu-ray: Universal Classic Monsters: Complete 30-Film Collection
• FilmStruck Shutdown: Directors, Fans React to End of Cinephile Streaming Service
• Does Netflix Really Have a ‘Culture of Fear’ Problem?
• WarnerMedia’s FilmStruck Subscription-Streaming Service to Shut Down
• Torso – The Arrow Video Story
• The Forbidden Photos of a Lady Above Suspicion Original Trailer (Luciano Ercoli, 1970)
• Arrow Video Selects – Incident in a Ghostland by Daniel Perry
• Deadbeat at Dawn – The Arrow video Story
• Arrow Video Selects – Donnie Darko by Mike Hewitt
• Feast Your Eyes: The Terrifying Genius of Lon Chaney
• Watch a Private Eye Fact-check Detective Movies
• Chromeo: NPR Music Tiny Desk Concert
• This Day is Called the Feast of Crispian – a review of Laurence Olivier’s ‘Henry V’
• Ida Lupino at 100 – Official Trailer
• How to Build a 4K Editing Computer (More cores are not always better) – Smarter Every Day 202
• RIP FilmStruck, one of classic cinema's last refuges in the streaming era
• FilmStruck Alternative Mubi Is Totally Awesome and a Total Bargain to Boot
• Scream Factory Brings Horror Home for Halloween
• ‘Good Eats’ – A Delicious Reload?
• FilmStruck Shutdown: Directors, Fans React to End of Cinephile Streaming Service
• Fear & Desire: The roots of Stanley Kubrick (film analysis)
• Behind the scenes on the set of Wes Anderson’s Rushmore
• Watch a clip from the making of Wes Anderson’s Rushmore
• The Shutting Down of FilmStruck and the False Promise of Streaming Classics
• Valley Girl
• William Castle at Columbia – Volume One
• TERENCE FISHER AND THE GREATEST HAMMER HORROR OF THEM ALL
• Here’s Looking at You, FilmStruck: Streaming Service to Shut Down
• Hermione, Sabrina, Charmed, and the Witchy Power of Female Rage
• FilmStruck, the Cinephile’s Answer to Netflix, Is Shutting Down
• NIGHT OF THE LIVING DEAD – #909
• The Talk Show: ‘I’ll Eat My Hat’
• The Tragedy of American Hatred
• Common ground is overrated
• Universal Classic Monsters: Complete 30-Film Collection (Blu-ray Review)
• Replacing regexes in Drafts
• Orson Welles’s Posthumously Finished The Other Side of the Wind Is a Meta-Masterpiece
• What’s New on Netflix in November
• Rosemary’s Baby Anniversary Edition Appears to Distance the Film from Roman Polanski
• 40 Under 40 In Home Entertainment 2018
• John Carpenter in 4K reviews – shlock and gore from Hollywood’s dark star
• Nico Muhly Escapes Hitchcock with a “Marnie” Opera
• DirecTV Not So Much