Links

• 303: Your Mahogany World
• Human Ottoman Finds Musical Inspiration in Unauthorized Harry Potter Soundtracks
• No Man’s Sky developer Hello announces its next game, The Last Campfire
• The 2018 SAVEUR Stocking Stuffers Gift Guide
• WordPress 5.0 Is Here (and Yes, So Is Gutenberg)
• iPhone: The Complete History—and What’s Next
• Story Sketches
• Art-House America: Walter Reade Theater
• Who Wore It Best? US Book Covers vs. UK Book Covers for 2018
• This Is The Best Fiction Of 2018
• Love Letters to Mars

• Christopher Nolan: Back into the labyrinth
• Episode 83 – SISTERS (Criterion)
• BLADE RUNNER & TOTAL RECALL – illusionary lives, invisible chains – film analysis
• Ryan Coogler | Black Panther Q&A | Presented by Film Comment
• Celebrating Japanese Christmas in Portland
• ‘Black Panther’ Had a Cathartic Effect on Charlize Theron
• Michael B. Jordan & Charlize Theron – Actors on Actors – Full Conversation
• Watchmaker Breaks Down Swiss & Japanese Movement Watches | WIRED
• The Movie Art Books That Deserve to Be On Your Shelf
• The Sweet Linearity of “My Brilliant Friend”
• A Gift Guide For The Cook In Your Life
• Matt Zoller Seitz’s 10 Best TV Shows of 2018
• David Edelstein’s 10 Best Movies of 2018
• The 10 Best Documentaries of 2018
• The best films of 2018 that we didn’t review
• The Most Under-Appreciated Films of 2018 — IndieWire Critics Survey
• Cahiers du Cinéma Best 2018 Films: ‘The House That Jack Built,’ ‘Phantom Thread’
• What Is the Best Space Heater?
• FilmStruck's demise could be good for movies
• The Death of Tumblr
• Crow herding with urban falconry in Portland
• Times Critics’ Top Books of 2018
• Apple presents the best of 2018
• The 50 best films of 2018 in the UK: 50-41
• A Birthday Salute to Rankin/Bass Music Maestro Maury Laws
• Sofa Review: A Simple Tool for Tracking Movies, TV Shows, Books, and Podcasts
• Aggregators and Jobs-to-be-Done
• Automating blog posts for my podcast Supercomputer
• WordPress 5.0 Target Date for December 6
• Bad Landlord? These Coders Are Here to Help
• 13 Best Geeky Gifts for Mom and Dad: Roku, Echo, Fitbit, and More
• The Ars Holiday Gift Guide 2018—good tech for the power user in your life
• Short Pick Of The Day: ‘My Trip To Japan’ by Dante Zaballa
• The Best Baking Cookbooks of 2018
• Announcing First Wave of 2019 SXSW Film Mentors and Round Tables
• 2018 Holiday Gift Guide: Games
• 10 great winter ghost stories
• La Prisonniere
• Just The Discs – Episode 83 – Brian De Palma’s SISTERS (Criterion)
• Eureka Entertainment to release ‘Hush…Hush, Sweet Charlotte’ as part of The Masters of Cinema Series
• ‘Jauja’ Director Lisandro Alonso Announces Next Film ‘Eureka’
• How to Disable Autoplaying Videos in the YouTube App’s Home Tab
• Reading this Anthony Bourdain oral history is a real gut punch
• USDA: A serving of French fries is 12 fries
• Butcher Box Says the Hell With It, Offers Three Pounds of Free Chicken Wings, Free Bacon, and a $20 Discount
• The Beat’s Holiday Gift Guide: For the Indie and Small Press Comics Admirer
• FTL, Y’ALL: Tales from the Age of the $200 Warp Drive
• ​THE BAKERS WIFE -TRAILER
• License files for Airtable
• The Enormous Life of Anthony Bourdain, According to Those Who Knew Him Best
• Mission: Impossible – Fallout 4K Ultra HD Blu-Ray Review
• The 2018 kottke.org Holiday Gift Guide
• WALL·E
• Strand Bookstore Fights to Keep Its Building Off New York City’s Registry of Preserved Landmarks
• The Potent Realism of Robert Pruitt’s Black Portraiture
• At the New York Tech Zine Fair, the Digital and the Tactile Converge
• How to Balance Your Short- and Long-Term Financial Goals
• How Much Work it Actually Takes to Be a Video Game YouTuber
• Get An Early Start On Your New Year’s Fitness Resolutions With This Multi-Gym Deal
• Make a Money Goal With Your Kids for 2019
• Facebook made itself indispensable to media companies, “pivoted to video,” changed its mind, and triggered a industrywide mass extinction event
• Check out the 2018 Boing Boing Gift Guide
• GOP Email Hack Shows How Bad Midterm Election Meddling Got
• Werner Herzog’s Early Career
• How this drug lord created a hippo problem in Colombia
• iCloud Drive Stuck Uploading and Downloading Files
• You Have 48 Hours to Get 48% Off at J.Crew
• The Outer Limits, Season Two
• Hayao Miyazaki, Black Cinema Exhibits Inaugurate Academy Museum
• A tip to keep your home address off the internet
• Reading comics on the new iPad Pros
• Spike Glee: The best ways to booze up hot chocolate
• Nobody Cares That DIE HARD Is A Christmas Movie
• The Best Jokes of 2018
• The Best Books of 2018
• How Guillermo del Toro Came to Love Monsters
• Landmark Theatres Chain Sold to Cohen Media Group
• Heavy Metal Magazine Documentary in the Works (EXCLUSIVE)
• Pedro Almodovar on ‘Roma’: ‘The Best Film of the Year’ (EXCLUSIVE)
• The House That Agnes Built
• The 20 Best Movie Posters Of 2018
• Best of Criterion’s New Releases, November 2018
• My trip to Japan / Viaje a Japón (2018)
• The 30 Best Videogames of 2018
• The best punk and hardcore albums of 2018
• 15 Essential Horror Films Starring People of Color
• The 10 Best Songs of 2018
• Emily Yoshida’s Best Movies of 2018
• ‘Insecure’ Star Continues To Be Rae of Light for Audiences
• New 4K Format, Growing Digital Libraries Invigorate Home Entertainment Market
• 4K Ultra HD Action Cam with Mounts for $69
• Walt Disney’s “Mickey’s Rival” (1936)
• Not just breaches: Never, ever use Quora
• The 2018 SAVEUR Kitchen Tools Gift Guide
• Here’s How Much Protein You Really Need
• Annecy Becomes An Official Festival Partner with The Annie Awards
• Best Shortcuts (iOS 12) @Best_Shortcuts
• Esa-Pekka Salonen, Classical Music’s Chief Visionary, Goes West Again
• Untitled Goose Game socks
• So Basic It’s Not Even Funny
• Artist Handwrites Entire Scripts to Create Unique Portraits of Movie Characters
• Mill Creek February Slate Includes ‘Damages,’ ‘Astro Boy,’ More ‘Benji,’ Retro Blu-rays
• Uber’s Arbitration Policy Comes Back to Bite It in the Ass
• Hunger
• Film News Roundup: ‘Wizard of Oz’ to Launch TCM Big Screen Classics in 2019
• Best Family Movies of 2018
• Novelist And ‘Book Matchmaker’ Tayari Jones Shares Her Favorite Books Of 2018
• ‘All That Heaven Allows’ Examines Rock Hudson’s Life As A Closeted Leading Man
• ★ Proof That iOS Still Hasn’t Gotten Undo Right
• How to turn off motion smoothing on your high-definition TV
• Announcing Better Worlds: a science fiction project about hope
• Microsoft Outlook for iOS is getting a new design and dark mode
• Kanopy Is Becoming the Best Free Streaming Service Out There
• Portland’s 2018 Eater Award Winners
• 9to5Mac Gift Guide: Tech stocking stuffer picks to surprise and delight from $10-$30
• City Council Unanimously Approves New Unarmed Police Role
• Japanese Bookstore Chain Kinokuniya Announces Downtown Store in Former Guild Theatre
• Shout Factory: Ridley Scott’s Someone to Watch Over Me Coming to Blu-ray in March
• The Body Snatcher Blu-ray
• The Magnificent Ambersons (Blu-ray Review)
• The 2018 SAVEUR Big Budget Gift Guide
• In our latest installment of Studio Visits, get to know the…
• Angela Rizza Conjures Magic with The Princess Bride
• Support Our Pick of the Week
• Cornucoppola [BRAM STOKER’S DRACULA]
• FIG LEAVES (previously unpublished)
• The Best Movies of 2018
• ‘Clueless’ Was Amy Heckerling’s Masterpiece. Is She Done With It? As If.
• The Best Movies of 2018
• Observations on Film Art No. 25: Nonlinear Narrative-LYDIA and the Power of Flashbacks
• Studio Visits: Angela Rizza
• Art-House America: Walter Reade Theater
• How to Not Raise a Bully
• Free hosting for Patreon creators
• The Animation Lover’s Holiday Gift Guide
• 2018 Golden Globe Nominees
• Thunderbean Updates and “Sandman Tales” (1933)
• Library Planet
• The Best Books of 2018
• WordPress 5.0 “Bebo”
• Jaw-Dropping Bookends Feature Detailed Back-Alley Dioramas
• Lynn Neary’s Reading Recommendations For The Book Lovers On Your List
• ‘The Third Murder’ DVD & Blu-ray: Japanese Academy-Award Winning Psychological Legal Thriller
• The 2018 SAVEUR Home Decor Gift Guide
• I’m Samin Nosrat, Host and Executive Producer of Salt, Fat, Acid, Heat, and This Is How I Eat
• Seven Million Years of Human Evolution
• Wichita (Jacques Tourneur, 1955)
• Golden Globe Nominations 2019: Complete List
• The Thing From Another World
• Web Excursions for December 06, 2018
• The Toxic Fragility of Siri Shortcuts
• iPad Diaries: The Many Setups of the 2018 iPad Pro
• Your lying eyes: No, you can’t run macOS on an iPad
• Notable Performances and Recordings of 2018
• Can’t Find Time To Read? Poetry Might Make The Perfect Gift

• True Stories (Blu-ray Review)
• 10 science fiction and fantasy books to check out this December
• BODIED Is The Movie 2018 Needed
• Why ‘The Bostonians’ Is James Ivory’s Forgotten Queer Classic
• Osamu Tezuka’s Erotic Manga ‘Barbara’ Gets Live Action Treatment
• Noirvember 2018 (Farewell FilmStruck)
• How Old Cary Grant?
• John Waters’ Top 10 Films of 2018 Includes ‘Jeannette,’ ‘Blindspotting,’ and ‘Custody’
• Reorganizing software licenses
• A Stunning Poster for My Neighbor Totoro
• The Curious Case of Entrapta on She-Ra and the Princesses of Power
• All the Coolest, Weirdest Movies You’ll Probably Be Talking About Next Year
• ‘True Lies’ And Videotape: Why Many Movies Are No Longer Online
• The 4-Star Reviews of 2018
• Home Entertainment Consumer Guide: November 29, 2018
• Mirai
• How the Japanese animated feature ‘Mirai’ seeks to change the way children are seen on screen
• Critic’s Choice: Orson Welles’ ‘The Magnificent Ambersons’ glows on Criterion Blu-ray/DVD
• Review: ‘Senso’ uncovers a visually splendid Italian melodrama rarely seen in America
• The Poetry I Was Grateful For in 2018
• Noma Dumezweni: ‘Hermione has taught me how to be angry’
• The best film soundtracks of 2018
• The best film trailers of 2018
• Death of Six-Year-Old Elephant at Oregon Zoo Reignites Debate, At Least a Little
• On my radar: Wim Wenders’s cultural highlights
• Timothée Chalamet, Benicio del Toro & More Join Wes Anderson’s ‘The French Dispatch’
• Guillermo del Toro Fought For Years to Get Ron Perlman as Hellboy
• Wes Anderson Is Shooting ‘The French Dispatch’ in France — Exclusive
• Jonathan Sehring Leaves an Indie Film Legacy, and IFC Films’ Uncertain Future
• Alfonso Cuarón: Observe the Moments
• ‘The Other Side of the Wind’ and Authorship
• La Dolce Vita
• November 2018: Best Disc Supplements
• Cleanups
• FeedPress @FeedPress
• Michael Schlesinger on IN THE HEAT OF THE NIGHT
• De Palma & De Niro: The Early Films (Blu-ray Review)
• Empire laid bare: making the original Star Wars trilogy – in pictures
• In the Heat of the Night
• Why is the octopus so smart?
• 46th Annie Awards Nominations Announced
• US one sheet for THE IMAGE BOOK (Jean-Luc Godard, Switzerland,…
• A True Utopia: An Interview With N. K. Jemisin
• THE 25 BEST FILMS OF 2018: A VIDEO COUNTDOWN
• 18 Recipes for Prosciutto Lovers
• Restoration Heaven: Il Cinema Ritrovato [2011]
• The 25 Best Movie Moments of 2018, According to IndieWire Critic David Ehrlich
• The future of cinema, according to Martin Scorsese
• THE BEST FILMS OF 2018
• When An Undead Apocalypse First Swept America In The ‘Night Of The Living Dead’
• Final Curtain for Mr. Curtiz
• 2001: A Space Odyssey’s 8K TV broadcast doesn’t quite go beyond the infinite
• Journeys into Dissonance: Close-Up on Jean-Luc Godard’s “The Image Book”
• Kurosawa Color
• N. K. Jemisin | How Long ‘Til Black Future Month?
• Filming Fitzcarraldo
• The 15 Best Albums of 2018
• How Robert Wise Manipulated the Ghosts of Hill House for The Haunting
• The Best Comics to Read in December 2018
• The 50 Best Songs of 2018
• Listen to Cat Power Cover Vietnam-Era Track “What The World Needs Now”
• Paste Readers’ Favorite Albums of 2018
• Agnes Varda Receives Honorary Award at Marrakech Film Festival
• The Talk Show: ‘A Vivid Nightmarescape’
• 5 alternatives to Apple’s discontinued print services for photo books, calendars, and cards
• Composer Michel Legrand performed selection from ‘The Other Side of the Wind’ score in Paris
• ‘Rams’ is a Compelling Plea That Good Design Can Save Our Souls
• culture 2018: The Best TV Shows of 2018
• The Children of Disney & Coca-Cola
• The 10 Best Movies of 2018
• How to Ferment Blueberries Like René Redzepi
• Cohen Media: New 2K Remaster of Peppermint Soda Coming to Blu-ray in February
• Will Coffee Survive Climate Change? We Traveled to the World’s Highest Farm to Find Out
• A Movie Tells LA’s 237-Year-Old History
• DesignerCon 2018: Online Release!
• Finland Gives Every Parent-to-Be a Baby Box Kit Full of Essentials
• Inventory Manager
• The Untold Labor That Helped Make Charlie Chaplin’s Film Scores
• The Fun Is Back in Social Media…Again!
• The full Bee and PuppyCat series is on YouTube
• Tumblr to ban all adult content on December 17

• Demi Adejuyigbe at XOXO 2018
• The Fraud Phenomenon: How Impostor Syndrome Plagues Creatives
• Understanding the Migrant Caravan in the Context of Imperial Plunder and Dispossession
• A Portland Whiskey Maven Is Opening a Cocktail Bar in SE
• Which animals have tusks?
• Harry Potter Kano Progamming Kit
• Exploring Children’s Books at the Portland Book Festival 2018
• Bookshelf: You’re Gonna Need a Bigger Coffee Table: 9 Gift Books for the Discerning New Yorker
• How to Be an African Travel Writer in Africa?
• The 10 Best Books of 2018
• Gorgeous ‘Black Future Month’ Tracks A Writer’s Development
• DJI Osmo Pocket Is the World’s Smallest Motion-Stabilized 4K Camera
• 20 Winter Cocktails Because Nobody Wants to Go Out In This Weather
• Adventurer Captures Amazing Aerial Shots of His Travels Across 43 Countries
• Iconic Disney Characters Reimagined as Classic Oil Paintings
• The Inventory’s 2018 Stocking Stuffer Gift Guide: 150 Genuinely Useful Gifts For Under $20
• Mira Nair, Director of Monsoon Wedding and The Namesake, Teaches an Online Course on Indie Filmmaking
• Beautiful ebook novels with Ulysses
• Ancient Law, The (Blu-ray Review)
• ‘Mirai’ and ‘Tito and the Birds’ Are Must-See Underdogs in Best Animated Feature Race
• Breathless
• Don’t Be Intimidated by 100 Years of Ingmar Bergman
• Ingmar Bergman’s Cinema is an Essential Blu-ray Release
• Where to begin with Nuri Bilge Ceylan
• Red Red Roeg
• The 2018 SAVEUR Edible Gifts Guide
• Lion Forge restructures, lays off 12
• Thimble Theatre: The Pre-Popeye Comics of E.C. Segar
• A Close-Reading of The Talented Mr. Ripley as Coming of Age Story
• Elvira Mistress of the Dark Original Trailer (James Signorelli, 1988)
• Mark Kermode reviews 8½ (1963) | BFI Player
• SHOAH: THE FOUR SISTERS (Masters of Cinema) UK Home Video Trailer
• Why Are There So Few Smartphones In Popular Movies?
• Extremophiles 101 | National Geographic
• Director Julian Schnabel on Vincent van Gogh’s undying appeal | AT ETERNITY’S GATE | TIFF 2018
• Why should you read Kurt Vonnegut? – Mia Nacamulli
• TCM Classic Film Festival 2019 – Opening Night Announcement!
• MOVE your WordPress site to a NEW HOST – (Migration)
• Demi Adejuyigbe, “Guide to Makin’ and Livin’ Jazz” – XOXO Festival (2018)
• Six-Year-Old Elephant Lily Dies From Virus At Oregon Zoo
• #ThotAudit is just the latest tactic people are using to harass sex workers online
• The best streaming video player to buy right now
• Byeeeee, Logan Paul: Brands Prefer ‘Micro Influencers’ Now
• The Complete Mr. Arkadin
• Fiction: The Fantasy Master N.K. Jemisin Turns to Short Stories
• That time David Edelstein said something dumb
• Shoplifters Is a Brilliant Dickensian Tale for a Modern Age
• WordPress 5.0 RC2
• Everything Coming to iTunes & the Apple TV App in December 2018
• WarnerMedia OTT Video Platform to Offer Three Service Tiers
• NPR’s Fresh Air Fires Film Critic Over a Facebook Joke
• Why Amazon Should Buy Barnes & Noble
• Shoplifters
• The Best Book Covers of November 2018
• The 2018 Holiday Gift Guide for Comic Book Lovers
• 1990s Tech in “The Beach” – Banjo-Kazooie Hallucination
• 1990s Tech in “The Beach” – Rampage on the Game Boy Color
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• Update: NEW VIDEO ESSAY
• FIRST BLOOD – two scene analysis videos by Rob Ager
• Hedy Lamarr, the Movie Star Inventor
• Shay Mitchell Reviews Demonic Possession Scenes in Movies | Vanity Fair
• Why Julie Andrews Didn’t Cameo In ‘Mary Poppins Returns’
• The Cult-Favorite AeroPress Coffee Maker Is Just $22
• Sarah Silverman: ‘I cringe at material I did 10 years ago’
• Global Discoveries on DVD: Auteurist Updates
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• “Cradle of Humanity” Reconsidered in Light of New Stone Tool Discovery in Algeria
• How ‘Lost in Space’ Might Be Explained by Wormholes
• Revisiting Bernardo Bertolucci’s Artistic Ambitions, and Abuses, in “Last Tango in Paris”
• Are Tiny Books a Sign of the Twee-ification of Literary Culture?
• Liv Ullmann’s Eightieth-Birthday Celebration
• Last Days of FilmStruck
• The Best Video Games of 2018
• “Don’t Look Now,” Nicolas Roeg’s Uncanny Masterpiece
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• Try Copying Your Favorite Masterpiece and See What You Learn
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• The Ludwig Von Drake Dilemma
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• Kent Williams @KentWms
• This Month on TCM: December 2018
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• SUSPIRIA 2018: Death To Duality
• IDFA 2018 Presents Industry Talk: Steve James and Claire Simon on Storytelling in Serialized Documentaries
• Why Scrooged remains the ultimate anti-Christmas film
• Dazed and Confused
• Rupert’s 2018 Film Geek Gift Guide (Discs)!
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• Getting Over the Horror of the Same Old Thing
• The One Where I Announce I’m Joining Mac Power Users
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• Facebook Isn’t a Community, It’s a Company Town
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• The Umbrellas of Cherbourgh
• Nicolas Roeg obituary: one of British cinema’s greatest visionaries
• Nicolas Roeg 1928-2018
• ‘America to Me’ is Important For Us All
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• Nicolas Roeg: a daring film-maker of passionate and visceral brilliance
• Nicolas Roeg, director of Don’t Look Now and Walkabout, dies aged 90
• ‘The Princess Bride’: Revisiting Rob Reiner and William Goldman’s Paean to Pure Storytelling
• New, Independent Criterion Channel to Launch Spring 2019
• ‘Dungeons & Dragons’ Gift Guide 2018
• Orson Welles’s Purloined Letter: F FOR FAKE
• ‘Greatest Showman’ Re-Imagined
• Toxic Masculinity Is The Bad Guy In ‘Ralph Breaks The Internet’
• Create Your Own Personal Archive of Web Pages With This Chrome Extension
• Kikagaku Moyo Announce 2019 U.S. Tour Dates
• Weezer Finally Announce Release Date for The Black Album, Unveil Second Single
• How to use science fiction to teach tech ethics
• ‘Che’ Graphic Biography Explores The Myths And Truths Of The Legend
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• Kurt Vonnegut on how to write a short story
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• Ijeoma Oluo, Writer/Editor – XOXO Festival (2018)
• The World of UPA – TRAILER
• Bob Weide on UMBRELLAS OF CHERBOURG
• End of Space – Creating a Prison for Humanity
• My Favorite Wireless Headphones | 2018!
• Ralph Gibson & Laurie Anderson | Self-Exposure
• How To Hear The Planet Earth (and ignore it) [with Demetri Martin]
• Janelle Monáe Has One Helluva Team | Fast Company
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• David Attenborough On Dynasties | BBC Earth
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• The Film Stage’s 2018 Holiday Gift Guide
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• #65 – Childhood by Hirokazu Kore-eda // Enfants rois
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• PERFORMANCE – FILMSTRUCK
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• THE FOUNTAIN – FILMSTRUCK
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• Festival
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• Our 2018 Novelty Gift Guide
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